I AM A CAMERA [Sydney] Zine produced by Vanessa Berry on a roughly annual basis mixing real life stories and fiction. Some issues are themed (#7 is about Sydney’s inner west and special places, #8 is about disasters, for example). Current.

INNER CITY SOUND Book by Clinton Walker including contents from zines 'Pulp' and 'Roadrunner'. Entry in development.
D.G.

IPRC [USA] Independent publishing resource centre, USA

IS NOT MAGAZINE [Melbourne] Is Not Magazine is a monthly independent 1.5 x 2m billboard poster/magazine that has been on display at 50 outdoor poster sites in inner-city Melbourne since 9 April 2005. It gets glued to walls in and around the streets of Melbourne, as well as bars, cafes and launderettes.
Is Not Magazine was founded by editors Mel Campbell, Stuart Geddes, Tash Ludowyk, Penny Modra and Jeremy Wortsman. Geddes and Wortsman, the magazine’s two design editors, won the Premiers’ Design Award for Communication Design in October 2006.
Is Not Magazine boasts a striking design due in part to Underware, a Dutch type foundry who donate all their fonts to the project, and has published contributions from as far as Helsinki, Michigan and Buenos Aires. It can also be seen on Sydney streets and is stocked in stores across Australia.
Is Not Magazine is an independent, not-for-profit publication. It is funded directly by regular parties and carries no advertisements.  

IS THAT ALL THERE IS? Entry in development.

IT'LL BE MORNING [Melbourne]. One-off 'novella' first self-published in 2005 (still being reissued with minor amendments). It'll Be Morning is coarsely presented with rough, irregular guillotining of photocopied text-only pages and roughly bound by gaffa tape and jute string. It'll be Morning's contents are equally unrefined and raw, the powerful story based in Melbourne, and includes a passing reference to Chick Publication religious tract comics.

It'll Be Morning is described in Heat 11 as feeling 'dangerous, somewhat illicit, an impression increased by the enigmatic absence of the author's name, replaced by an email address...a great example of how the contemporary self-published text...can capture an audience without the seemingly ubiquitous elaborate cover design of contemporary fiction, or the force of the author's reputation behind it'.
Poletti, Anna 'A People's History Of Zines: lntroduction' Heat 11 'Sheltered Lives' 2006 pp16-21